Church Flower Ladies – And One Or Two Men

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Andover Advertiser 2 October 1914

Andover Advertiser 2 October 1914

The Primitive Methodists may win out in the provision of food and cups of tea, but when it comes to church flowers, it is hard to dislodge the Church of England from her pedestal. The person who explains this best is Barbara Pym, as she does here:

It was a Saturday morning … it was the usual gathering, Winifred, Sister Blatt, Miss Enders, Miss Statham and one or two others. The only man present, apart from the clergy, was Jim Storry, a feeble-minded youth who made himself useful in harmless little ways and would sometimes arrange the wire frames on the window-sills for us or fill jam jars with water….‘Well, well, here we all are,’ said Julian in a rather more clerical tone than usual. ‘It’s very good of you all to come along and help and I’m especially grateful to those who have brought flowers. Lady Farmer,’ he mentioned the name of the only titled member remaining in our congregation, ‘has most kindly sent these magnificent lilies from her country home.’…We went into the church and began sorting out the flowers and deciding what should be used where. Winifred, as the vicar’s sister, had usurped the privilege of a wife and always did the altar, but I must confess that it was not always very well done. I had graduated from a very humble window that nobody ever noticed to helping Sister Blatt with the screen, and we began laboriously fixing old potted-meat jars into place with wires so that they could be filled with flowers. Lady Farmer’s lilies were of course to go on the altar.

So what does this allocation of duties at St Peter’s on 2 October 1914 reveal? Well, St Peter’s of 1914 and Barbara Pym agree on the pecking order: Altar, Screen, Windows.

Altar and Sanctuary

Miss Boyes

Margaret Angela Boys, daughter of Sir Charles Vernon Boys (of whom much more later) and Marion Pollock, Lady Boys
.

Miss Miley

Grace Virginia Miley, daughter of Miles Miley and Lucy Boys (and first cousin of Margaret Boys)

Miss H Selfe

Hilda Selfe via ancestry.co..uk, courtesy Barbara Hockmeyer

Hilda Selfe via ancestry.co..uk, courtesy Barbara Hockmeyer

(Ann) Hilda Selfe

Screen

 

Mr A H White

Albert Henry White of Barford House.

Mr W Benham

Possibly William Henry Benham, a gardener

Pulpit

Miss Freemantle

Probably Lucy Freemantle, 73-year old spinster, helped by her niece, Jessie?

Pillars

Miss Longman

Either Georgina Blanche or Maggie Gertrude, spinster daughters of William Longman, builder and undertaker, of Link House, and his wife Mary Ann.

Miss Willshire

Presumably Laura Willshire of The Plough Inn

Font

Miss Gascoigne

Catherine Anne, 49 year old housekeeper from Northamptonshire working at Diplands.

Windows

Miss Freemantle

Presumably Jessie Freemantle, aged 43, niece of Lucy Freemantle for whom she acted as housekeeper

Miss Longman

Either Georgina Blanche or Maggie Gertrude, spinster daughters of William Longman, builder and undertaker, of Link House, and his wife Mary Ann.

Miss Wiltshire

(not known)

Miss Marchment

Anne or Ellen, daughters of Henry Marchment of Middle Wyke

Mrs Cook

Sarah Cook, wife of John, a farmer?

Annie Cook

(not known)

Mr Titt

James Titt, agent for the Hampshire & General Friendly Society

That is pretty much in line with the Order of Precedence– (daughters of knights at the top, insurance salesmen at the bottom) combined with a shrewd village assessment, crafted over the centuries, of the precedence of an elder daughter of a builder in relation to the younger daughter of a farmer. The decision depends on the size of the building business/farm, number of employees, and length of residence in the village. Also, of course, the degree of friendliness with the supervisor of the flower ladies…

 

‘Tipperary’: The Western Front And The Home Front United In Song

The mood in Henry Fisher’s refreshment rooms that morning (the part of it reserved for the men) was a little downbeat. The war had not been going for two months yet, but no one now seemed to think it would all be over by Christmas.

The chaps had fallen to talking about what they would normally be doing on the first day of October. There was a pleasantly seasonal nip in the air which reminded them that today signalled the start of pheasant shooting and there was nothing to prevent them except a general feeling that it would be in poor taste to engage in shooting for sport at a time when the lads were at the front, shooting for their lives.

‘Come on, fellows, this won’t do!’, said Albert White of Barford House, going to the piano and striking up the new tune, which everyone seemed to be humming or whistling these days – whistling in the dark, perhaps, but still effective.

Tipperarytitlethis morning's gossip

"Tipperary!" (click to enlarge)

The Guns’ Obligato*

The day after the Canadians attacked Vimy Ridge my battalion of the Royal Fusiliers advanced from Bully Grenay to a chateau on the outskirts of Lieven under heavy shell fire.

At the back of the chateau a street led to the main road to the town.  There, despite the bombardment, we found a Cockney Tommy of the Buffs playing “Tipperary” on a piano which had been blown out of a house into the road.

We joined in – until a shell took the top off the chateau, when we scattered!

L.A. Utton, 184 Coteford Street, Tooting, S.W.


 

You may have seen Gareth Malone’s explanation of the popularity of Tipperary, in which he says:

On the Western Front, marching bands were sent to accompany the troops. Soldiers would regularly put on concert parties and almost every division had its own entertainment troop. In the long periods of waiting between battles, songs played an important role in staving off boredom and boosting morale.

‘A Long Way to Tipperary’ was the first hit of the war – a lively tune with fond thoughts of returning home soon. Songs about home resonated throughout the war, with ‘Keep the Home Fires Burning’, released in 1914, remaining popular throughout. As war continued, upbeat messages about staying cheerful and carrying on, such as ‘Pack Up Your Troubles’, played a vital role in keeping spirits up. The songs united people in a shared experience whether they were at home, on the Western Front or stationed further afield.


 

*Extract from

Memoirs & Diaries – The Best 500 Cockney War Stories – Not Yet Blasé and Other Stories

Published in London in 1921, The Best 500 Cockney War Stories comprised, in the words of its newspaper publisher (The London Evening News) “a remembering and retelling of those war days when laughter sometimes saved men’s reason”.

via First World War.com